My work is a reminder that life is far too serious to be taken too seriously. Through my Critters Mandalas, I create whimsical, highly detailed worlds filled with expressive creatures that seem to stare back at the viewer, inviting a playful moment of mutual curiosity. The work asks not only what the viewer sees in the creatures, but what the creatures might see in the viewer. That tension between structure and mischief, between symmetry and surprise, is what makes the pieces feel alive.

In short: I make joyful, symmetrical little fever dreams for people who enjoy being delighted, mildly haunted, and aesthetically ambushed.

Michael Rocharde

Artist

Watch the video above to learn about Critters Mandalas

Watch the video above to learn who collects Critters Mandalas!

The story behind my art

I make Critters Mandalas, and the whole thing began with the deeply suspicious decision to turn structure into a playground. I start with mandalas — orderly little circles of sacred geometry, all neat and balanced and pretending to have their lives together — and then I invite chaos in through the side door. Not mild chaos. Full goblin chaos. The kind that arrives with glitter on its boots, strange little creatures in its pockets, and no intention whatsoever of behaving.

After cataract surgery, I found myself at a strange crossroads: I could either sit still and recover like a sensible person, or I could learn how to make elaborate digital mandalas on my iPad Pro with an Apple Pencil and accidentally build a whole universe. Naturally, I chose the second option, because if life hands you a weird new perspective, you may as well use it to create decorative creatures with opinions. I use Amaziograph to build the structure, then Pigment to breathe color into the thing until it starts looking less like a design and more like a magical incident.

At first, I was just drawing patterns. Then the patterns started feeling lonely, so I let in a face. Then another. Then a cat. Then an owl. Then a dog. Then maybe an elephant. Then something that may have been a goblin, or a cloud, and just might have been a spiritually confused raccoon. And that was that. The work stopped being about just symmetry and became about discovery — about watching weird little beings emerge from the geometry like they’d been waiting there all along, just under the surface, tapping on the walls of the circle and asking to be let out.

That’s what I love most about making these pieces: they begin with order, but they never stay polite. They become crowded with mischief, curiosity, and little moments of surprise. I’m not trying to make art that sits quietly in the corner. I’m making art that looks back at you. Art that says hello. Art that maybe judges you a little, but lovingly. Art that wants to make you laugh, lean in closer, and realize that the universe is probably held together by pattern, play, and the occasional extremely strange creature.

I come from an artistic family, so maybe the impulse to make beauty was always in me. But Critters Mandalas are where that impulse finally got weird enough to become itself. They are what happens when discipline and nonsense become friends. They are my way of turning ordinary looking moments into little worlds full of energy, charm, and delightful confusion. They are, frankly, proof that if you stare into a mandala long enough, it starts staring back — and if you’re lucky, it brings friends.


The feelings I want to evoke

I make Critters Mandalas: intricate mandalas hijacked by whimsical creatures, weird little faces, and decorative chaos. Working on my iPad Pro with an Apple Pencil, I start with structure and let the mischief take over.

The result is a world where symmetry gets ambushed by joy, curiosity, and a healthy amount of nonsense. I make these pieces to bring people a smile, a surprise, and maybe the feeling that the universe is a little stranger — and a lot more fun — than it looks at first glance.

What I want people to remember

I want people to remember that my art is a joyful, mischievous encounter with living geometry — the kind of work that makes them grin, lean in, and wonder if the artwork is looking back.

Why it matters

I think my art matters now because it gives people what they are starving for: delight, relief, surprise, and a reason to look more closely.

Right now, the world is overloaded with noise, doom, and bland sameness. Work like mine doesn’t just decorate a wall — it interrupts that numbness. It says, “Wait, there’s still mischief here. There’s still imagination here. There’s still a place where order and chaos can make a truce and become something joyful.”

My Critters Mandalas matter because they are recognizable, alive, and unapologetically mine. They don’t look like generic art made to fit a trend. They look like a world with its own logic. That kind of originality matters more now than ever, because people are hungry for work that feels handcrafted, strange, and human.

And on a deeper level: my art matters now because it offers a kind of permission. Permission to be playful. Permission to be weird. Permission to find beauty in things that don’t behave.

Where will my Critters Mandalas be in 50 years?

The work becomes recognizable as a signature visual language, not just a style. In 50 years, people may not just remember a single piece — they may remember the whole world of it: the symmetry, the mischief, the strange little beings, the feeling that the art is half joyful decoration and half intelligent nonsense with a pulse.

The important part is that I hope my work already has what survives the test of time: a clear point of view. It is not trying to be everything. It is trying to be itself, loudly and weirdly. That’s what gives art staying power.

Profiles & Interviews

‘Critters’ is an art form featuring weird and wonderful creatures that mostly form intricate mandalas.  Others feature Critters inside a Geometric design.

Designed in Amaziograph and then colored in Pigment, these expressive creatures will have you smiling.

Visit the Critters

Amaziograph Designs

Cue the Music

Video Tutorials

From Design to Completion

Geometrics (Tesselations)

See the Geometrics

My geometric designs are all tesselations and are designed in Amaziograph using one of the many different options.